2015年在職聯(lián)考藝術(shù)碩士真題：

　　一、單選

　　1.歐洲巴洛克音樂(lè)最具代表性的作曲家( )

　　A 莫扎特 B亨德?tīng)?C鮑羅丁 D德魁西

　　2.貝多芬《第九“合唱”交響曲》第四樂(lè)章合唱部分的歌詞是取自德國(guó)詩(shī)人()的作品

　　A席勒 B海涅 C普希金 D歌德

　　3.《列寧格勒交響曲》亦稱《第七交響曲》，其作者是( )

　　A柴可夫斯基 B舒伯特 C肖斯塔科維奇 D普羅科菲耶夫

　　4.《黃河大合唱》是作曲家冼星海代表作，其中女高音獨(dú)唱的名曲( )

　　A保衛(wèi)黃河 B黃河頌 C黃河謠 D黃河怨

　　5.由田漢作詞、聶耳譜曲的《義勇軍進(jìn)行曲》是影片( )的主題歌，創(chuàng)作于1935年。

　　A,《風(fēng)云兒女》 B《漁光曲》 C《馬路天使》 D《大路》

　　6.《蘭亭序》是( )的作品

　　A張旭 B王羲之 C歐陽(yáng)修 D王獻(xiàn)之

　　7.《富春山居圖》是( )的作品。

　　A黃公望 B徐渭 C虛谷 D倪瓚

　　8.意大利文藝復(fù)興時(shí)期的畫家拉斐爾創(chuàng)作了( )

　　A《最后的審判》 B《自由領(lǐng)導(dǎo)人民》 C《雅典學(xué)派》 D《日出·印象》

　　9.法國(guó)雕塑家羅丹創(chuàng)作了( )

　　A《加萊義民》 B《大衛(wèi)》 C《舞女》 D《騎士像》

　　10.( )是后印象派畫家梵高的代表作之一。

　　A《向日葵》 B《紫丁香》 C《睡蓮》 D《郁金香》

　　11.“離間效果”或“陌生化效果”理論是由( )提出的。

　　A斯坦尼斯拉夫斯基 B布萊希特 C格洛托夫斯基 D阿爾托

　　12.西方戲劇在中國(guó)于20世紀(jì)( )被改成為話劇。

　　A 30年代末 B40年代初 C 20年代末 D 30年代初

　　13.金子是曹禺劇本()中的人物。

　　A《原野》 B《北京人》 C《雷雨》 D《日出》

　　14.( )是古希臘喜劇作家阿里斯多芬的作品。

　　A《美狄亞》 B《被束縛的普羅米修斯》 C《安提戈涅》 D《鳥》

　　15.( )不是挪威劇作家易卜生的劇本。

　　A《玩偶之家》 B《櫻桃園》 C《社會(huì)支柱》 D《培爾金特》

　　16.《偽君子》是( )的作品。

　　A高乃依 B拉辛 C莫里哀 D薩特

　　17.( )是中國(guó)著名的芭蕾表演藝術(shù)家，被譽(yù)為中國(guó)的第一只“白天鵝”。

　　A胡蓉蓉 B薛菁華 C白淑湘 D石忠琴

　　18.“英歌”是具有( )地區(qū)特色的舞蹈。

　　A福建 B安徽 C江蘇 D廣東

　　19.()是春秋戰(zhàn)國(guó)時(shí)期著名宮廷舞人西施表演的舞蹈。

　　A《火鳳舞》 B《響屐舞》 C《十色菊》 D《踏謠娘》

　　20.獨(dú)舞《春江花月夜》是著名舞蹈藝術(shù)家()的代表作。

　　A趙青 B戴愛(ài)蓮 C孫玳璋 D陳愛(ài)蓮

　　21.( )以“收縮-放松”的動(dòng)作原理，創(chuàng)建了具有影響的現(xiàn)代舞訓(xùn)練體系

　　A 露絲·圣丹尼絲 B 伊莎多拉·鄧肯

　　C 瑪莎·格萊姆 D 多麗絲·韓芙麗

　　22.芭蕾舞在20世紀(jì)傳入中國(guó)，主要受到了( )芭蕾舞學(xué)派的影響

　　A 匈牙利 B 英國(guó) C 法國(guó) D 俄羅斯

　　23.藝名“白牡丹”，代表劇目為《紅娘》和《金玉奴》的京劇演員是( )

　　A 尚小云 B 茍慧生 C 黃桂秋 D 金少山

　　24.《中國(guó)戲曲通論》的主編是( )

　　A 張庚、郭漢城 B 歐陽(yáng)予倩、王季思 C 梅蘭芳、馬少波 D 周貽白、馬彥祥

　　25.《花為媒》和《楊三姐告狀》的編劇是( )

　　A 成兆才 B 溫偶紅 C 汪笑儂 D 陳墨香

　　26.下列劇目中，屬于現(xiàn)代戲的是( )

　　A 《打金枝》 B 《天仙配》 C《朝陽(yáng)溝》 D 《李慧娘》

　　27.《牡丹亭》中的一出是( )

　　A 《尋夢(mèng)》 B 《聞鈴》 C 《佳期》 D 《活捉》

　　28 “同光十三絕”出現(xiàn)的時(shí)代是( )

　　A 宋代 B 元代 C 明代 D 清代

　　29.秦兵馬俑是我國(guó)古代雕塑藝術(shù)之( )杰作

　　A 瓷塑 B 陶塑 C 木雕 D 石雕

　　30.魏晉南北朝時(shí)期的工藝品，許多造型與裝飾元素采用了與( )有關(guān)的蓮花

　　A 道教 B 伊斯蘭教 C 佛教 D 天主教

　　31.漆藝包括漆器、漆畫和( )

　　A 漆盒 B 漆瓶 C 漆彩 D 漆塑

　　32.由建筑、室外雕塑和綠化諸要素組合而成的設(shè)計(jì)，可稱為( )

　　A 景觀設(shè)計(jì) B 展示設(shè)計(jì) C 陳設(shè)設(shè)計(jì) D 室內(nèi)設(shè)計(jì)

　　33.設(shè)計(jì)思維一般是指邏輯思維與( )的整合

　　A 定向思維 B 具象思維 C 形象思維 D 抽象思維

　　34.我國(guó)歷史上五大著名瓷窯是鈞窯、汝窯、官窯、哥窯和( )

　　A 建窯 B 定窯 C 耀州窯 D 景德鎮(zhèn)窯

　　35.2015年供應(yīng)的( )是至今中國(guó)電影票房最高的影片

　　A 《煎餅俠》 B 《西游記之大圣歸來(lái)》 C 《梔子花開(kāi)》 D 《捉妖記》

　　36.影片《城南舊事》的導(dǎo)演是( )

　　A 張藝謀 B 陳凱歌 C 吳貽弓 D 霍建起

　　37.瑞典著名導(dǎo)演伯格曼的影片有( )

　　A 《亂世佳人》 B 《野草莓》 C 《偷自行車的人》 D 《第四十一》

　　38.影片《小城之春》的導(dǎo)演是( )

　　A 孫瑜 B 吳永剛 C 沈浮 D 費(fèi)穆

　　39.大衛(wèi)·里恩導(dǎo)演的電影有( )

　　A 《桂河大橋》 B 《第七封印》 C 《流浪兒》 D 《青春殘酷物語(yǔ)》

　　40.( )表現(xiàn)為畫面與聲音既相互獨(dú)立又有內(nèi)在聯(lián)系

　　A 聲畫同步 B 聲畫分離 C 聲畫對(duì)立 D 聲畫對(duì)位

　　41. 影視“空鏡頭”指( )

　　A 無(wú)景物的人物鏡頭 B 無(wú)人物的景物鏡頭 C 字幕鏡頭 D 電子美術(shù)鏡頭

　　42.在中國(guó)，電視數(shù)字化多媒體之創(chuàng)始于20世紀(jì)( )

　　A 60年代 B 70年代 C 80年代 D 90年代

　　43. 《藝術(shù)人生》屬于( )節(jié)目

　　A新聞?lì)?B 教育類 C 談話類 D 知識(shí)類

　　44.電視的“開(kāi)放式構(gòu)圖”是把( )的構(gòu)圖

　　A 室外納入 B 畫框內(nèi)外視為整體 C 全景納入 D 三維空間整合

　　二、多項(xiàng)選擇題(每小題2分，共16分)

　　45.下列樂(lè)曲屬于江南絲竹的是( )。

　　A.《行街》 B.《中花六板》 C.《雨打芭蕉》 D.《三六》 E.《百鳥朝鳳》

　　46.1949年以來(lái)創(chuàng)作的中國(guó)芭蕾舞蹈劇有( ? )。

　　A.《寶蓮燈》 B.《紅色娘子軍》 C.《鳳鳴岐山》 D.《白毛女》E.《大紅燈籠高高掛》

　　47.俄國(guó)戲劇家契科夫的作品有( )。

　　A.《欽差大臣》 B.《三姐妹》 C.《海鷗》 D.《無(wú)辜的罪人》 E.《萬(wàn)尼亞舅舅》

　　48.下列戲曲人物中，一般由老生飾演的有( )。

　　A.徐九經(jīng) B.楊繼業(yè) C.伍子胥 D.偏頗 E.楊七郎

　　49.伊朗導(dǎo)演阿巴斯創(chuàng)作的影片包括( )。

　　A.《哪里是我朋友的家》 B.《秋刀魚的滋味》 C.《橄欖樹(shù)下》

　　D.《櫻桃的滋味》 E.《伊凡的童年》

　　50.美學(xué)上的“電視時(shí)間”包括( )。

　　A.現(xiàn)實(shí)時(shí)間 B.屏幕時(shí)間 C.心理時(shí)間 D.現(xiàn)在時(shí)間 E.過(guò)去時(shí)間

　　51.藝術(shù)史家貢布里希撰寫的( )均已譯為中文。

　　A.《藝術(shù)的故事》 B.《藝術(shù)與錯(cuò)覺(jué)》 C.《古典藝術(shù)》

　　D.《秩序感》 E.《意圖的模式》

　　52.中國(guó)四大名繡有( )。

　　A.蘇繡 B.京繡 C.粵繡 D.湘繡 E.蜀繡

　　三、英語(yǔ)閱讀理解題(每小題2分，共30分)

　　Directions: There are three passages in this part. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked, B, C and D. Choose the best answer to each question.

　　Questions 53 to 57are based on the following passage:

　　Square dance is a fast-paccd,lively type of folk dance.Square dance is a fun form of dance involving social interaction between several dancers.Square dance is characterized by four couples,or eight dancers. The four couples are arranged in the shape of asquare, with each couple forming one of the sides of the square.Two of the couples are referred to as the “head couples”,with the other two the “side couples”.Each dance is started and finished in the original square formation.

　　During a sqare dance,a “square dance caller”uses a microphone to guide the dancers though a sequence of steps in time to the music.The caller calls out various moves,steps,spins,turns,and partner changes.Square dance originated form dance of the 17th century,mainly the quadrille and the Morris dance.Popular in England,France and Europe,square dancing also has roots in the United States.The square dance has been designated as the official dance of 19 states in the Us. The term ”square dance” is usually associated with lively callers.A caller must create logical dance sequences,or calls,that match the expectations and abilities of the dancers.A “call” is the name of a specific dancemovement.Square dance calls usually conisit of between 4 and 32 counts,or steps.Call sequences may be long or quite short.Square dance music varies depending on the type of square dance being performed.Traditional square dance are usually accompanied by live acoustic bands.

　　Traditional country dance music,such as Irish jigs and folk music is often preferred.Modern sqare dance music includes various types of music,including pop,country rock and Broadwang musicals.The music is usually faster and often recorded.

　　53.According to the passage,square dance came from all of those countries EXCEPT____

　　A. England B. France C. The United States D. China

　　54.The possible reason why it is called square dance is that _______

　　A.Square dance is characterized by four couples,or eight dancers

　　B. Each dance is started and finished in the original squar formation

　　C.square dancers often go to dance in public square or in a park

　　D.square dance is a fast-paced,lively type of folk dance

　　55.According to the passage,in a square dance a caller may do the following things EXCEPT_____

　　A.creating logical dance sequences

　　B.naming a specific dance movement

　　C. making very important telephone calls

　　D.making dance calls that match the expectations and abilities of the dancers

　　56.There aer many different square dance musicals used in square dance according to______

　　A.different weather

　　B.different people

　　C. different type of square dance

　　D.different square dancecallers

　　57.In the second line of the first paragraph,the phrase”is characterized by”means_____

　　A.is ordered by B.is done by C.is followed by D. is featured by

　　Questions 58 to 62 are based on the following passage:

　　The New Spring Painteng Exhibition opens in February at Sun Yat-sen Park,Beijing. The show features some 40 artists from different generations, including influential older artists such as Liu Haisu and Wu Zuoren ,all of whom advocate an apolitical approach to art-making.

　　A significant moment in the development of this “New Academicism” occurs in September when several murals are unveiled at the Beijing Intemational Airport. Yuan Yunsheng’s Water-Splashing Festival:Ode to Life includes nude female figures,which triggers a serious controversy over nudity in public art.(The mural is boarded over in 1981.)

　　In Februaly a group of twelve artists in Shanghai organize an exhibition at the Palace ofinfants,Huangpu district it is China’s first modemist show since mid-century.The works are influenced impressionism andPostimpressionism.considered radical in the post-Cultural Revorurion context ,although the subjeets are traditional(birds,flowers,etc).Sear-Paintmg and the Srar group emerge as the two most important art movements of 1979. Both aim at criticizing.therealities of contemporary China and often portray the Cultural Revolution negatively.Scar Painting.part of abroadermovement called New Realistic Painting .takes its name from a related literary tendency. The term refers to the emotional wounds inflicted on the Chinese-especially intellectuals,students,and older cadrc-by the Cultural Revolution.For example,Cheng Conglin’s Painting,A Certain Month of a Certain Day in 1968 and the illustrations to Zheng Yi’s short story”Maple,”by Liu Yulian,Chen Yiming,and Li Bin,describe the tragic results of Red Guard battles during the Cultural Revoiution.

　　The group’s first exhibition,in September 1979,is a provocative display of work hung without official permission on the fence outside the National Gallery,Beijing.After the exhibition is disrupted by the police,the artists post a notice on Democracy Wall and stage a protest march.The Stars’first formal exhibition,held in Beihai park,Beijing,in November,includes 163 works by 23 nonprofessional artists.

　　58. According To the author,The New Spring Painting Exhibition includes______.

　　A. the works by about 40 famous artists of different generations

　　B. the works by about 40 old artists

　　C. the works by about 40 young artists

　　D.only about 40 influential visitors

　　59.From the third paragraph, we can know that China’first modernist show since mid-century was held_____.

　　A.in Beijing B. in Shanghai C.in Nanjing D.in both Bejing and Shanghai

　　60.In this passage, the word“exhibition”means_____.

　　A. a show of artistic works

　　B.a meeting of influential people

　　C.a movement of artistic painting

　　D.a visit of beautiful place

　　61.Afier the exhibition held by the star artists was disrupted by the police,what did they do?

　　A. They launched a protest march.

　　B.They celebrated their success.

　　C.They asked the local govemment for help.

　　D.They wen to Beijing Park,Beijing.

　　62.In the last line of the last paragraph,the phrase”nonprofessional artists”means____.

　　A.all professional artists

　　B. not professional artists

　　C.not good artists

　　D.not famous artists

　　Questions 63 to 67 are based on the following passage:

　　The Italian Renaissance was one of the most productive periods in the history of art,with large numbers of outstanding masters to be found in many centers and in all the major fields painting,seulpture,and architecture.In Florence,inthe first half of the fifteenth century,there were great innovators in all these filds,whose work marked a beginning of a new era in the history of art.

　　These innovators included Masaccio in painting,Brunelleschi in architecture,and Donatello in sculpture.their new ideals and nethodswere systematized in the theoretical writings of their friend and fellow artist Leon BattistaAlberti.Theretofore,he had been an artisan,a craftsman.Now the attempt was made to include artists among the practitioners of the “liberal arts,”which were regarded as being on a higher level than the “mechanical.”

　　These efforts bore fruit, and some of the great masters,for example,Titian and Michelangelo,by the force of their genius and personality, were able to achieve a measure of satatus andresoect rarely enjoyed by their predecessors. The idea of artistic genius became popular,Michelangelo was called”divine’because of thegreatness of his creative powers.

　　In the Renaissance,art and science were closely connected.Both the artist and the scientist strove for the mastery of the physical word,and the art of painting profited by two fields of study that may be called scientific:anatomy,whichmade possible a more accurate reoresentation of the human body,and mathematical perspective.Perspective in painting is the rendering on a two-dimensional surface of the illusion of three dimensions.Previous painters had achieved thissffect by empirical means,but thediscovery of a mathematical method of attaining a three-dimensional impession is attributed to Brunelleschi in about 1420.Henceforth,the method could be systematically studied and explained,and it became one of the chief instruments ofartists,especially painters,in their pursuit of reality.Some men were both artists and scientists,notably Leonardo da Vinci an Piero della Fancesca.It is doubtful whether they would have understood our distinction between art and science.

　　63.This passage mainly discusses the great artists who lived during the period of the Renaissance______.

　　A. in Britain B.in France C. in Italy D.in Europe

　　64.From the 2ndparagraph,what change can we know about the artists in this period?

　　A. There was a change of higher social status of the artists.

　　B.There was a change of lower social status of the artists.

　　C.There was a change of better finance of the artists.

　　D.There was a change of better jobs for the artists.

　　65.In the last line of Paragraph 3,the word “powers’means_____.

　　A. political forces B. political rights C. creative works D. creative talents

　　66.Which of the following is not implied in the last paragraph?

　　A.In the Renaissance,art and science were closely connected.

　　B.Leonardo da Vinci and Piero della Francesca were both artists and scientists.

　　C.The discovery of a mathematical method of attaining a three-dimensional impression is attributed to Brunelleschi in about 1420

　　D. It is quite sure that Leonardo da Vinci would have understood our distinction between art and science.

　　67.In the last paragraph,the word” distinction”means______.

　　A.similar features B. different definitions

　　C.simple understanding D.modern comparison

　　四、論述題(A、B兩組各限選一小題，每小題30分，共60分，每小題字?jǐn)?shù)在600字左右)

　　A組：

　　1. 簡(jiǎn)論藝術(shù)創(chuàng)造性思維的基本特征。

　　2. 簡(jiǎn)論如何在藝術(shù)作品中講好中國(guó)故事。

　　3. 簡(jiǎn)論如何樹(shù)立以人民為中心的創(chuàng)作向?qū)А?/p>

　　4. 簡(jiǎn)論藝術(shù)精品的傳承價(jià)值。

　　B組：

　　1.簡(jiǎn)述歐洲音樂(lè)協(xié)奏曲的發(fā)展歷史。

　　2.簡(jiǎn)述戲劇舞臺(tái)調(diào)度。

　　3.簡(jiǎn)述戲曲藝術(shù)的雅俗共賞觀念。

　　4.簡(jiǎn)述電影聲音和畫面的構(gòu)成關(guān)系。

　　5.簡(jiǎn)述影視的時(shí)空觀念。

　　6.簡(jiǎn)述舞蹈表現(xiàn)的形神關(guān)系。

　　7.簡(jiǎn)述臨摹在美術(shù)教育中的作用。

　　8.簡(jiǎn)述設(shè)計(jì)改變生活的觀念。